Sunday, November 23, 2014

61 – Good Vibrations – 1966








            One of my favorite Beach Boys compositions, Brian Wilson’s most creative work, done when he was all of 24. I have three versions on the Zune. One is the original version, the second a re-working by Brian in 2004 for his recreation of the “Smile” album, and the third an instrumental version from the “Pet Sounds Sessions” CD set.


            I received the 45 of this song for my birthday in 1966 (my 12th) and played it over and over, I loved all the changes that took place during its 3 ½ minutes.


            I particularly enjoy listening to the version from the “Pet Sounds Sessions” CD, because it strips the vocals from the track and illustrates how beautifully Brian Wilson built the song.


            You hear the guitar, Hammond Organ, tamborine, then the drums come in, along with the Theremin and bass, and finally, the sleigh bells!!


            As the Wikipedia entry so eloquently describes it, the song was put together by “…recording and re-recording…specific sections of music, followed by rough mixes of the sections edited together, further recording as required, and the construction of the final mix from the component elements…The various sections of the song were edited together by Wilson into an innumerable amount of sound collages, and its production spanned 17 recording sessions at four different recording studios. The recording is reported to have used over 90 hours of magnetic recording tape, with an eventual budget estimated between $50,000 and $75,000 ($360,000 - $ 550,000 today).”


            “Pet Sounds”, the whole album, had cost $70,000.


            Hearing the 45 version, I am reminded of the one birthday party I had growing up. Birthday’s weren’t the event, in my circle of friends (or anywhere back then), like they are today when you and your kid are judged by the party you put on for them.


            It was probably my 11th birthday, 1965, I had invited 3-4 guys over to go to see the latest Jerry Lewis movie, “The Disorderly Orderly,” at the Dundee Main Street Theater, the closest to Algonquin back then.  


            We piled into our Dodge Valiant station wagon and my mom drove us to the theater and when we got there we found that the movie had changed and so we saw “King Kong vs Godzilla.”


Quite the disappointment as I recall.

Wednesday, November 12, 2014

60 - On Every Street – Dire Straits – 1991




     This song has one of Mark Knopfler’s best riffs (or is it a refrain?) in a career full of great ones. It’s from Dire Straits’ last album and, like many of his songs, it builds slowly. After the verses are sung, his guitar plays 10 single notes, once, twice, then a little drum comes in and it repeats a couple more times, then it repeats (sounds dull, but give it a listen) and adds instruments (even some cowbell at one point, I think!), then he adds a little slide guitar and the bass comes in and it builds into a rollicking, ..and it fades…. 


     I can listen to this over and over. Lynn likes it, too.


     It reminds me of the Christmas in 1991 when I asked for this album from Lynn’s mom as my X-mas present.


     It also reminds me of the X-mas when we had a round robin gift giving (I don’t think that’s the name for it, but I’m 60 now, an old man). Everybody brought a gift and then we sat in my brother in law Dave’s Chicago “bachelor” pad and took turns either taking a gift or passing yours to someone else, taking theirs.


     Everybody seemed to end up with their own gift, as I recall, and I was happy because I ended up with the DVD of Pink Floyd’s “The Wall”. At the time, we were the only ones with a DVD player so I guess I knew what I’d end up with.

Sunday, November 2, 2014

59 – World Turning – Leo Kottke – 1997




This is Kottke’s cover of Lindsay Buckingham’s song from his Fleetwood Mac days, and like the other covers by Leo on my Zune, I prefer his to the original. It has a great vocal and Kottke plays a little sitar on it as well.
I was not a big Fleetwood Mac guy, though I feel that Lindsay Buckingham is one of the great guitarists, up there with Leo and John Fahey, as a finger picker. One of my favorite albums is “Out of the Cradle,” which begins with a 25 second instrumental which showcases his virtuosity.
I’m thinking back to 1997 when this song came out and the main memory it brings is my short stint at Ibiden Printed Circuits, a Japanese owned company about a mile from our house here in Elgin. I left Tingstol, which was in Elk Grove Village (about a mile from where I work now), for a chance to work closer to home, but had never worked for the Japanese before (or since).
When I got there they said I needed a passport, because at some point  I would be sent to Japan to work in the main plant  for several weeks to learn how to do it their way. After a couple weeks I was told that Hitachi was coming in for an audit and we had to get ready in one week. I looked at the documentation they had on file and saw everything was translated from Japanese into English, but not easily readable in that it was too literal.
I saw that we were trying to get ready for a full blown ISO audit in one week, which is kinda crazy and I told the Japanese president it would be impossible to do so. His response was, “But we must try.”
And try we did, I worked several night until midnight or one AM (starting at 8 AM), translating the literal English into readable English, line-by-line, then going in to the president’s office and discuss whether I had got the true meaning of the sentence.
At 10PM each night the whole shebang would come to a halt as they (all the Japanese managers) would go into the president’s office and call the Japanese plant since it was 8AM there. Other Japanese office workers could not leave until the president did, so they actually slept at their desks as these all-nighters went on.
When the audit occurred, we failed and I saw more frustrations like this on the horizon, along with that totally unsupervised trip to Japan that loomed ahead.
So I did something I have never done, before or since. After calling my old boss at Tingstol, to make sure I had a job to go back to, I waited one morning until the 9AM production meeting started and I took a box, swept everything from my desk into it, and walked out the door. I went home and told my wife not to answer the phone and I never went back.
I’m not proud of that moment, but I have never felt so frustrated and lost with any job I’ve ever taken on.

Heeeeee’s Baaaaack!





           Well, that was a nice little break there!

It’s been quite the time out at the Kammrad Manse, the past 5 months. Let’s see, what happened…got the ceiling fixed in our bedroom, then in July Lynn went in to Cancer Treatment Centers for a hysterectomy and several days after being released, almost bled to death at Sherman Hospital when CTCA sent her to the ER at Sherman and they stuck her in a room and left her for several hours, never checking on her, until she felt herself losing consciousness and called in a nurse who found her bleeding out and it took 2 pints of blood to get her back. Nice!

She still is exhausted throughout much of her day and needs 9-10 hours of sleep a night to get through it.

Summer was nice. We belong to a community pool (in our backyard, it was part of our property when the house was built in the 50’s) and it was nice to go over with the kids and sit after work.

As summer wound down, Lynn decided to use some of the money she got from her mom and dad, so we bought a small hot tub and a gazebo to put it in. We had them delivered and set up on the cement pad patio in the front of our house and when I went to get the permit for the electrical work, found that because of how our house is situated on a corner lot, we couldn’t have either the hot tub, or the gazebo anywhere in front of our house.

We called the Great Escape to move them, they said sure, for $600, When the moving day came they said they couldn’t move the gazebo because the slab of concrete in back of our house (part of a full court basketball court that had cracked and settled over the past 60 years) was not level.

Luckily, the company doing the electrical work has a construction division and they moved the tub and gazebo for the same $600. All they had to do was shim one corner of the gazebo; the vast majority of the slab was level.

So now we go to the hot tub 4-5 days a week. Very nice after a long day at work. And the relaxation extends to my time after the kids go to bed and I can take notes for this blog, so without further ado…

Monday, May 5, 2014

58 - Brothers in Arms – Dire Straits – 1984





 Hearing this song always reminds me of what I think must be my favorite episode of “The West Wing”, “Two Cathedrals.”

       Those of us who watched “The West Wing” saw it as the government we wish we had, especially after the 2000 appointment (Yes…George W. Bush was appointed by the Supreme Court, don’t get me started…he lost the popular vote by over 500,000 and a consortium of newspapers/universities looked at the ballots from Florida and agreed that by almost every method, hanging chad or no hanging chad, Gore would have won a recount and thereby the Presidency).

At the end of almost every episode it would leave me on the verge of misty eyes as I contemplated what it would be like to have people in government like Toby, Sam, Josh, and especially, President Bartlet.

       Maybe we do have people like them, but when the memoirs come out after the Administration is gone they always seem so self-serving and CYA boring.

       “Two Cathedrals” was the second season closer. In it President Bartlet must attend the funeral of his long time secretary, Mrs. Landingham, who was killed in a car accident with a drunk driver in the episode before. I remember that episode as a gut punch because it came out of nowhere.

       He is also dealing with a major decision, whether he will run for a second term, with the news starting to come out that he has MS, and has been hiding it from almost everyone but his wife, a doctor; Leo McGarry (the great John Spencer), his chief of staff; and several others.

       Told through flashback, we see how President Bartlett came to meet, bond with, and rely on the counsel of Mrs. Landingham.

       After the funeral in the National Cathedral a clearly upset Bartlett stops in the nave, takes a final puff from a cigarette, and crushes it on the floor of the cathedral and in Latin says,” I give thanks to you, O Lord. Am I really to believe that these are the acts of a loving God?  A just God?  A wise God?  To hell with your punishments. I was your servant here on Earth. And I spread your word and I did your work. To hell with your punishments. To hell with you.” (translation from Television Without Pity’s recap).
            As President Bartlet later readies to face a national press conference he sees Mrs. Landingham and says,” I have MS and I didn't tell anybody."

Mrs. Landingham: "So you're having a little bit of a day."

He asks whether she's going to make jokes. She reproaches him, "God doesn't make cars crash and you know it. Stop using me as an excuse." He says the party's not going to want him to run. She assures him that the party will come back. He sits down and says, "I got a secret for you, Mrs. Landingham. I've never been the most popular guy in the Democratic Party." She sits down as she says, "I've got a secret for you, Mr. President. Your father was a prick who could never get over the fact that he wasn't as smart as his brothers." She continues, "Are you in a tough spot? Yes. Do I feel sorry for you? I do not. Why? Because there are people way worse off than you."

Bartlet: "Give me numbers."

Mrs. Landingham: I don't know numbers. You give them to me.
Bartlet: How about a child born in this minute has a one in five chance of being born into poverty?
Mrs. Landingham: How many Americans don't have health insurance?
Bartlet: Forty-four million.
Mrs. L: What's the number one cause of death for black men under thirty-five?
Bartlet: Homicide.
Mrs. L: How many Americans are behind bars?
Bartlet: Three million.
Mrs. L: How many Americans are drug addicts?
Bartlet: Five million.
Mrs. L: And one in five kids in poverty?
Bartlet: That's thirteen million American children. Three and a half million kids go to schools that are literally falling apart. We need a hundred and twenty-seven billion in school construction and we need it today. [At this point, there's a brief shot of the room from above, showing the Prez sitting across from an empty chair, talking to himself.]
Mrs. L: To say nothing of fifty-three people trapped in an embassy.
Bartlet: Yes!
Mrs. Landingham: You know, if you don't want to run again, I respect that. But if you don't run because you think it's gonna be too hard or you think you're gonna lose, well, God, Jed, I don't even want to know you.

(This sort of banter/conversation is Aaron Sorkin at his very best)



Mrs. Landingham walks out and President Bartlet walks to the door to see a downpour and he steps into it. “Brothers in Arms” begins.



       Here I’d like to abrogate my duties as a blogger (whatever that means!) and use the more succinct recap of Deborah of Television Without Pity to describe what happens next along with their use of “Brothers in Arms”
“As the President strides out to his limousine, with Charlie, Leo, Sam, Josh, Toby, and numerous Secret Service agents accreting to him as he goes, the lyrics of the song "Brothers in Arms" begin: "These mist-covered mountains/ Are a home now for me/ But my home is the lowlands/ And always will be/ Someday you'll return to/ Your valleys and your farms/ And you'll no longer burn/ To be brothers in arms."
“We hear C.J. assuring a very large crowd of reporters that the President will address their questions as soon as he arrives. We cut back and forth between Jed and his staff getting into the motorcade and C.J. fielding questions: "Through these fields of destruction/ Baptisms of fire/ I've witnessed your suffering/ As the battles raged higher/ And though they did hurt me so bad/ In the fear and alarm/ You did not desert me/ My brothers in arms." In the back of the limo, Jed looks much less sad and more determined; Leo tries to read his expression but they do not speak.
“C.J. tells the clamoring crowd of reporters that a list of prosecutors is given to a three-judge panel, and that the prosecutors as well as the panel were all appointed by Republican Presidents. The reporters shout and compete for C.J.'s attention; over the din, C.J. shouts, "Please! I can only answer fourteen or fifteen questions at once!" On paper it has the sound of her usual snappy patter, but you can hear the strain in her voice. Donna and Margaret arrive at the press conference, looking stunned at the commotion.
“At the National Cathedral, a janitor is cleaning the floor in a dim light. Of course, it only reminds me of the janitor in the Nirvana video for "Smells Like Teen Spirit," which provides me with a minimal amount of unintended levity. The janitor finds Jed's cigarette butt and stoops to pick it up, puzzled. He looks up and out the door as a car with sirens blazing passes; it could be the motorcade, although the cathedral is not en route from the White House to the State Department. Jed could have requested that the motorcade pass the Cathedral, and his sidelong glance out the window at this point would seem to support this theory. "There's so many different worlds/ So many different suns/ And we have just one world/ But we live in different ones."
“Back at the press conference, C.J. is saying she imagines subpoenas will be issued to most senior White House staff, including her. As the motorcade arrives at the State Department, Jed gets a bit more of a soaking. As they walk into the building, someone hands Jed a towel to wipe his face. "Now the sun's gone to hell/ And the moon's riding high/ Let me bid you farewell/ Every man has to die..." C.J. is telling the reporters that she can't comment on what kind of hearings Congress has in mind as Carol sees Jed and the boys coming and gives C.J. the nod that POTUS has arrived. C.J. announces, "Okay? Here now, the President of the United States." Everybody stands. "But it's written in the starlight/ And every line on your palm/ We're fools to make war/ On our brothers in arms." It's really quite a beautiful song, and I know the use of pop music in such high-quality dramas is controversial, but I think the creative minds behind this show always give it a great deal of thought, and are selective and restrained in their choices. As Jed passes C.J., she reminds him, "Front row, on your right." Jed takes the podium, looking literally weatherbeaten and quite determined. Amid a volley of flashbulb fire, Jed puts his arms up on the podium, catching his breath, steeling himself. He makes eye contact with Lawrence Altman, the Chief Medical Correspondent for the Times. He looks into the crowd and points to another reporter, saying, "Yes, Sandy?" C.J. looks slightly anxious but not altogether surprised. Sandy asks, "Mr. President, can you tell us right now if you'll be seeking a second term?" He pauses, and says, "I'm sorry, Sandy, there was a bit of noise there, could you repeat the question?" Charlie watches Jed intently. Sandy: "Can you tell us right now if you'll be seeking a second term?" C.J., Josh, and Sam are standing together; none of them breathes. Donna and Margaret don't either. Leo and Toby are watching on a monitor off to the side, and Leo turns toward the President and tells Toby, "Watch this." Jed's hands slide off the podium and into his pockets. He looks ever so slightly off to his left, and smiles the barest of smiles. As the storm rages on, he looks straight ahead at the crowd. There are some droplets on his face; probably both rain and sweat, at this point. The guitar refrain continues. Still, he says nothing. The lines around his eyes are crinkled and there's a gleam in his eye. He smiles a very little smile.”
God, I loved that show!